Saturday, 4 February 2012

Poem: Methods Of Coping

Run to welcome this bleakness below hills.

Covet this staleness and kiss this blank rage.

Envelope yourself in staring at grey rain.

Celebrate the pocket knife of Monday nights.

Savour the bitterness of black wine.

Refute the memory of rose-silver lips.

Beat nails into the songs of hope.

Read hurt into the hours that heal.

Refuse the suggestion of a single perfect day.

Sleep well beneath the skeletal sheets.

21 April 2003

Friday, 3 February 2012

Poem: Teenage Girls In The Park

“I just about had it out with her in Art,

I’m telling you, Kelly had to stop me.”

“It’s true,” says Kelly, slugging,
Green plastic bottle,
“She was going fucking mental.”

           And the charged sunlight
           Dapples the green-yellow and the
           Earth-brown of the trees they smoke beneath;

           Droplets of awe carve thoughts on their brows.

“Them cows. Give me a kiss Angie.
And I’m telling you
You look good in lycra

And they won’t grind me down.”

10 May 2003

Thursday, 2 February 2012

Poem: Hurting

Hurting’s a part of it
Like the needle piercing skin to pull
Its nerve through and over and
Under and so secure
Our skin against our self.

Hurt is not a break from life
For a breach brings forward healing
And the days that drag on forward
Toward death
Drag us deeper into life.

Time heals by tearing,
Hurt provides a hold, hot metal lances,
The needle secures,

Hurt provides a hold; hurting helps us
To be held,
Hurting leads us to hold.

Time (sometimes in slow motion)
Hurtles us through breaches and
Bruisings to
Help the heart hold firm through hurt.

23 September 2002

Wednesday, 1 February 2012

Poem: Water Song

The colour of water is the colour of love;
The sound of water
Trinketing over rocks:
The sound of water’s thunder in a
Waterfall.

The colour of water’s glancing colours
Off a waterfall’s fall

Is the sound of water, is the song
Of love,

And the volume of the volume of a
Waterfall,

And the tiny cascade of the small
Volume of a stream,

Are the volume of love,

And the hearts of water are the hearts
Of love,

And love has rivers and oceans,
Droughts and spates:

Love is the love of water’s light.

18 September 2002

Tuesday, 31 January 2012

Poem: I Live On A Bridge Above The City

I live on a bridge above the city,

Moonlit above the slow-huddled traffic,
And I breathe a deep breath of night air,
Because, tomorrow, in daylight

I’ll stand amid the trams and roundabouts,
Halfbound for work and slightly stale,
Needing a moment to myself.

It’s silent on the bridge.
Here above it all I smoke a cigarette
And look down, and reflect on

The city speeding gradually below me,
Turning wheels within wheels,
But changing, occasionally, turning, into wheels...

Catherine wheels.

5 January 2006

Monday, 30 January 2012

Poem: Manor House Shanty

The slow noise of love encloses us
Enclosed within these sea-struck walls,
Pressed together with our words
Pressing against each others’ words.

Those surging words are not the sea
But their heart brims over;
The surge of them sweeps all along.

Swept in this same boat,
We drink a draught to move us on;
Unsteady on our feet we steer
Ourselves in echoes of photographs on the walls.

An island in a stretch of sea;
A risk taken and rewarded;
A gift given and gathered in
And pressed in and raised up,
Rising ever higher on the swell
Of the Manor House Hotel.

22 May 2004

Saturday, 24 December 2011

Poem: Christmas Eve (For Lizzie Roberts)

There’s this shoeless blues musician
Strumming his acoustic guitar beneath a street lamp,
And the swirling snow is swirling all around him,
When suddenly

Charles Dickens steps out of the fog
And into the lamplight.
He runs his fingers through his damp greying hair,
Looks up at the obscured darkness of the sky,

And smiles.
He asks the guitarist what century he’s from,
And is he familiar with Shakespeare, at all?
The blues musician smiles.

There is ice on his eyelids. He smiles.
A cough as he gathers his thoughts;
You can tell by his eyes he’s seen the Universe.
Well, he says, I’ll tell you a story.

His fingers trace the guitar strings, but
He does not play, he does not sing, he speaks
Instead.
He tells his story.

Once in the twenty-first century, he says,
I met a girl.
(Dickens leans in, taking notes like Shakespeare.)
A girl with words on her skin,

But not just on her skin,
This human had words in her mind.
And she spoke to me, and she said:
“All things sort so well”

And then she smiled, and turned away from me,
And tramped away through the mud
In the swamp of the Festival;
Now that was a Muse.

It is Dickens’ turn to smile;
He almost smirks.
He is an old man, white-bearded,
And still he smiles,

He remembers
The muses of his youth:
He grew up with them and
Watched them growing up;

Watched them flower and sometimes fade,
Saw some rise, saw some fall.
His heart held them all;
In them he was Shakespeare

Probing conditions of the heart:
Dickens has Prince and Hendrix on his iPod.
He thinks he knows it all, until
There is a tap on his shoulder.

The shoeless blues musician smiles beyond Dickens;
A new man has appeared.
He is inappropriately dressed
(As are we all).

Charles turns on the spot, and sees:
A ghostly figure,
Growing stronger,
In the forefront of his mind.

Shakespeare himself:
Shaggy-dog-haired and smelly,
Tight in hose and he’s smiling,
He laughs out loud, then speaks:

“And with a guitar-slinger and a limp-toed pigeon by her side
She stomped the streets of the early 21st century,
Unsure of herself and of
The correct colour and length for her hair.

But she heard
Words in the sky and
Words sprayed on pavements and on crumbled walls.
She saw

Herself, in the future and in the now, as art, as love.

And she inspired me.”